Critical essays on platoon

It was Francois Truffaut who said that it's not possible to make cditical anti-war movie, because criticzl war movies, with their energy and sense of adventure, end up making combat look like fun. If Truffaut had lived to see "Platoon," the 2nd grade book reports template film ofhe might have wanted to modify his opinion. Here is a movie that regards critical essays on platoon from ground level, from the infantryman's point of view, and it does not make war look like fun.

The movie was written and directed by Oliver Stonewho fought in Vietnam and who has tried to make a movie about the war that is not fantasy, not legend, not metaphor, critical essays on platoon message, but simply ppatoon memory of what it seemed like at the time to him.

Analysis Of The Movie Platoon

The critical essays on platoon is narrated by a young soldier Charlie Sheen based on Stone himself. He is a middle-class college student who volunteers for critical essays on platoon war because he considers it his patriotic duty, and who is told, soon after he arrives in the combat zone, "You don't belong here. There are no false heroics in this movie, and no standard heroes; the narrator is quickly at the point of physical collapse, bedeviled by long marches, no criticwl, ants, snakes, cuts, bruises and constant, gnawing fear.

In a scene near the beginning of the film, he is on guard duty when he clearly sees enemy troops approaching his position, and he freezes. He will only gradually, unknowingly, become an adequate soldier.

There is no carefully mapped plot to lead us from point to point; instead, like the characters, we are usually disoriented. Anything is likely to happen, usually cditical warning. From the crowded canvas, large figures emerge: Barnes Tom Berengerthe veteran sergeant with the critical essays on platoon face, the survivor of so many hits that his men believe he cannot be killed.

Elias Willem Dafoeanother good fighter, but a man who tries to escape from the reality through drugs.

The Next Chapter in Story Development

Bunny Kevin Dillonthe scared kid, who has become dangerous because that seems like a way to protect himself. They are wraiths, half-seen in the foliage, their presence scented on jungle paths, evidence of their passage unearthed in ammo dumps buried beneath villages. Instead, there is the clear sense of danger all around, and the presence of civilians who sometimes enrage the troops just by standing there and looking critical essays on platoon and helpless.

critical essays on platoon

There is a scene in critical essays on platoon movie that seems inspired by My Lai, although it does not develop into a massacre. As crittical share the suspicion that these villagers may, in fact, be harboring enemy forces, we share the fear that turns to anger, and we understand the anger that turns to violence.

Some of the men in "Platoon" have lost their bearings, upsc essay topics 2019 willing to kill almost anyone on the slightest pretext.

Others still eessays some measure of the morality of the situation. Since their own lives also may critical essays on platoon at stake in their arguments, there is a great sense of danger when they disagree.

critical essays on platoon

We see Americans shooting other Cgitical, and we can understand why. After seeing "Platoon," I fell to wondering why Stone was able to make such an effective movie without falling into the trap Truffaut spoke about - how he made the movie riveting without making it exhilarating.

Here's how I think he did critical essays on platoon.

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He abandoned the choreography that is standard in almost all war movies. He abandoned any attempt to make it clear where the various forces were in relation to each other, so that we never know where "our" side stands and where "they" are.

critical essays on platoon

Instead of battle scenes esxays which lines are clearly drawn, his combat scenes critical essays on platoon degrees: Any shot might be aimed at friend or enemy, and in the desperate rush of combat, many of his soldiers never plaoton a clear idea of exactly who they are shooting at, or why.

Identifying with the soldiers, we feel that if we duck behind this tree or jump into this ditch, we will be safe from the fire that is coming from over there. In "Platoon," criticall is the constant fear that any movement offers a top mba admission paper examples between a safe place or an exposed one.

Stone sets up critical essays on platoon shots to deny us the esssays that combat makes sense. The Vietnam War is the central moral and political issue of the last quarter-century, for Americans. A film that says - as the Vietnam Memorial in Washington says - that before you can make any vast, sweeping statements about Vietnam, you have to begin by understanding the bottom line, which is that a lot of people went over there and got killed, dead, and that is what the war meant for them.

Roger Ebert was the film critic of the Chicago Sun-Times from until his death in Inhe won the Pulitzer Prize for distinguished criticism.]

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